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Browsing by Author "Skyba, Eleonora"

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    “Fluid” Temporality: The Conflict of Gender and Age in The Postmodern Socio-Cultural Context
    (Aesthetics Media Services, India, 2022) Vlasova, Tetiana I.; Skyba, Eleonora; Vlasova, Olha; Liashenko, Iryna
    ENG: Temporality, being an intrinsic property of the subject/object relations in the multiplicity of the socio-cultural and gender narratives, presents one of the most complicated ideas of postmodernity. The project of temporality embraces ambivalent scripts in their “momentous transition”, revealing the attempts at generalizing ages of men and women in the certain “unified” narratives. The latter is expressed in the triad paradigm of “past-present-future” with “present” as the dominating member. While conceptualizing binary oppositions, namely, the dualism “man/woman”, it is evident that nowadays the biological “intrinsic value” of the human being’s identity has become less relevant. The man/woman’s identity is not fixed anymore by anatomy, at present it is “fluid” with the time and age “shifts” of femininity and masculinity. The decentering “situation”, having transformed the temporal aspects of man/woman’s value in the social practices and corresponding narratives, nowadays demands their valorizing by means of the conceptual impact on the transformations of the “liquid temporality”.
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    Gender Reflection of the Enlightenment Paradigm in the Comparative- Historical Contexts of Britain and Ukraine
    (Видавництво «Грані», 2026) Vlasova, Tetiana I.; Skyba, Eleonora; Litman, Maksym
    ENG: The ambiguity of the definitions and concepts, which is characteristic of the metamodern evolution, has produced a great impact on the inner world of Man and Woman in the matrix where the very human essence becomes a kind of simulacrum. The latter is directly connected with the metamodern gender narratives, which reflect the instability of the pendulum of history in the contexts of feminism including the issue of women`s education. The aim of researching the correlation of the Enlightenment grand narratives and their later versions in the eastern Ukraine and the western Great Britain in the XIXth century is realized in the cultural reconstruction of the woman’s personality in the intersubjective field of the «late Enlightenment» with the stress on women’s education as a focal point for feminist reforms. The methodology of the article is based on the interdisciplinary dialogue with the accent on the comparative-historical approaches. The idea of the complexity of the dialectics, history and literature is considered to provide the most significant material for understanding radical changes in the social and cultural development of the country we live in. The scientific results accentuate the idea that the subjectivation of women in the first half of the XIXth century followed the Enlightenment narratives of rationality and education, which contributed much to creating the image of Femina Nuova in Europe and – to the minor though significant extent – in Ukraine. When the Western European gender conditions are put against the background of the Enlightenment, it is evident that the “feminists before feminism” were not oriented forwards the political equality. The conclusions state that the Enlightenment changed the gender status of subjectivation, representing the shift of the gender paradigm in its late phase in Ukraine. However, the gender narratives were not transformed significantly: the paradigm and the binary opposition of «public-private» represent the stability of gender regimes in Europe in the middle of the XIXth century.
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    Lecturas filosóficas de la posición política e ideológica de Batman
    (EDITORIAL PRIMMATE S.A.S, Colombia, 2023) Vlasova, Tetiana I.; Skyba, Eleonora; Bilan, Nataliia; Rusul, Oleg; Sudakin, Oleksandr
    ESP: Aunque los personajes (super héroes) de las ficciones propias de los comics y otros productos audiovisuals como el cine, las caricaturas y los videojuegos, entre otros, están diseñados –en teoría– para un público joven, no significa con esto que sean neutrales o que estén desprovistos de una definida posición política e ideológica que sea susceptible al estudio filosófico, para revelar su esencia, atributos característicos y, en suma, su ser verdadero. Considerando que el impacto de estos personajes propios de la cultura popular anglosajona ha sigo significativo en las representaciones sociales globales en general, el objetivo del articulo consistió en efectuar una relectura filosófica de la posición política e ideológica de Batman. Metodológicamente hablando, se empleó la hermenéutica semiótica para revelar los aspectos cruciales del discurso del principal super héroe de Ciudad Gótica. Todo permite concluir que, en su ser y hacer, el llamado “hombre murciélago” es un anarquista, en la forma predominante del anarcocapitalismo de tipo anglosajón, que desconfía de la capacidad de las instituciones de justicia de su mundo ficcional para vencer el crimen y crear, además, espacios verdaderos de justicia en las relaciones intersubjetivas de la comunidad.

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